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Audible, owned by Amazon Inc., has the largest catalog of audio books in the world. Its DRM only allows consumers to play books on three 'Audible Ready' devices.

Download Audible: An Amazon Company and enjoy it on your iPhone, iPad. You want to listen, tap on the book and it will begin downloading to your device. Playback of a book via Control Center would cause the book to automatically. Listen on the go, switch devices without losing your place, and adjust your. Download your audiobooks to your app so you can listen without using data.

Audible's DRM is a greedy, outdated way of cheating customers

When Audible was purchased by Amazon Inc. in 2008 most authors and audio book consumers hoped that Amazon would stop Audible's widely-hated practice of crippling the use of authors' audio books with Digital Rights Management (DRM).

Amazon didn't.

They're now one of the last DRM hold-outs.

After conducting tests with DRM-free audiobooks, in 2008, mega-publisher Random House abandoned DRM on its digital books altogether.

In early 2007, an open letter from Steve Jobs called on record companies to stop using DRM on their audio files; in 2009 Apple officially abandoned DRM for its iTunes music store over two years ago.

Amazon's own music downloads don't have DRM - this made big news when they ditched DRM in 2008.

So if consumers want to buy books to use on various, specific devices, why would Audible (Amazon) stop them?

As the EFF explains DRM,

Digital Rights Management (DRM) technologies attempt to control what you can and can't do with the media and hardware you've purchased.

• Bought an ebook from Amazon but can't read it on your ebook reader of choice? That's DRM. (..)

Corporations claim that DRM is necessary to fight copyright infringement online and keep consumers safe from viruses.

But there's no evidence that DRM helps fight either of those.

Instead DRM helps big business stifle innovation and competition by making it easy to quash 'unauthorized' uses of media and technology.

Audible disallows conversion of audio book files into MP3 files, telling customers that Audible's DRM prevents this to ensure the Audible experience of playback performance on its approved list of 'Audible Ready' devices.

Now that Amazon is also Android, and Amazon's digital books have text to speech options in Kindle devices, it remains to be seen why DRM is still part of any kind of long-tail business plan.

Three devices: re-purchase is a certainty

A limitation of three devices is unrealistic, and by now Audible - Amazon - knows it.

A reader (listener) buys a book and wants to listen to it on their home computer.

And their tablet, away from the desk or in the kitchen while cooking. In the cafe on their laptop. https://golcolorado.netlify.app/amigaos-41-final-edition-iso-download-getintopc.html.

On their phone during a train or bus commute. In their car during a drive. Or at the gym, or a maybe flight with their iPod/mobile MP3 player.

That's six everyday use devices in typical situations.

Audible's DRM is bad for readers and consumers

DRM makes buying and using audio books harder.

If a reader (listener) wants to enjoy their book they're only able to chose three out of six of the above everyday device scenarios - for a book they purchased, and should rightfully own.

An audio book is still a book. It's just 'printed' on a different kind of paper.

All rights to the buyer should apply, and a buyer shouldn't have to buy a book twice just because the bookseller says so.

In 2007, I worked with my book agent on a potential deal with Audible. I said that if I were to agree to Audible's terms, I wanted to know about their DRM policy, as I was well aware of the customer anger Audible's DRM had engendered - and did not want my reputation tied to it.

We had a conference call with reps from Audible. I asked them about their DRM policy.

I was told it was important to keep because they needed to protect against file sharing. One person on the call casually commented, 'We're really kind of hoping some kid doesn't hack it.'

Except it's not 'some kid' who wants to listen to The Omnivore's Dilemma on the way to work, at their desk, on the plane, when someone else is on the computer and they have to multitask, or when their hands are full with the baby.

The people who listen to audio books are also people who are blind or have limited sight, are dyslexic, are ADHD, are people who have limited mobility - and access on multiple devices means so much more than anyone will ever know.

The people who listen to audio books are are fans of books. They are all of us.

Audible's DRM is futile

Search Google, look at Reddit and other forums and sites, and you'll find dedicated readers and listeners who simply want to put the books they purchased from Audible on their MP3 player.

You'll also find out quickly just how aggressive and litigious Audible is to protect its DRM.

Over the years a number of software makers have come along to remove the Audible DRM encoding to make audio book files user-friendly.

Audible has always been swift to threaten software makers, devs and bloggers with lawsuits for promoting - or even discussing - the ability to remove Audible's DRM.

As one commenter put it on Reddit in a thread about trying to listen to their Audible book outside the DRM, 'It's easier to torrent and steal the book than to play it on my car stereo.'

Thanks for that, Audible (Amazon).

Audible's DRM is bad for authors

Audible's DRM poisons my relationship with my readers and fans.

I'm the 'little guy' whose work is traded off of in this ridiculous charade wherein companies use dated, anti-consumer and anti-artist racketeering-style business tactics instead of evolving their business models.

Bookmark it to easily review again before an exam. Fluid mechanics with engineering applications 10th edition pdf download. The best part?

In addition to being a tech journalist, blogger and podcaster, I'm still an author and anthology editor with dozens of books in print in many languages - the old fashioned way to be a writer.

My main print publisher is an indie, women-run small business. Making a deal with Audible to get their titles into the audio book game was a necessary step to expand their catalog into a digital goods market that an indie can't afford not to be in nowadays.

When a consumer buys one of my books on Audible, my indie publisher and I get some change - and that's great.

But my reader, who now has a direct relationship with me, the author, gets a bag of digital candy mixed with arsenic.

As an author it is embarrassing that someone would purchase my book knowing that instead of enjoying the work freely, they will almost certainly soon have a technical experience of frustration, anger and disappointment - an experience that has nothing to do with me, or the book.

Why would I send anyone to Audible and do that to my readers - especially if I want them to ever buy my work again?

Oh, right. Because Audible is pretty much the only game in town.

The DRM on my books as distributed through Audible is placed there without my consent.

Dear Audible, Amazon: stop the DRM racket. Now.

Audible is a seller and producer of spoken audio entertainment, information, and educational programming on the Internet. Audible sells digital audiobooks, radio and TV programs, and audio versions of magazines and newspapers. Through its production arm, Audible Studios, Audible has also become the world's largest producer of downloadable audiobooks. Audible's content is only accessible through special proprietary closed software, including unauthorized-playback prevention by means of an Amazon account.

On January 31, 2008 Amazon.com announced it would buy Audible for about $300 million.^[2] The deal closed in March 2008 and Audible became a subsidiary of Amazon. The company is based in Newark, New Jersey and is expanding its presence in the city with the creation of a new technology center, called the Innovaion Cathedral^[3] Audible is the United States' largest audio book producer and retailer.^[4][5]

History[edit]

In January 1995, Audible introduced the first production-volume digital audio player almost six years before the introduction of the iPod.^[6] It only supported playback of digital audio in Audible's proprietary, low-bitrate .aa format that could be downloaded from Audible.com. The first player had about 4MB of memory, which is about two hours of .aa format audio.^[7] Audible holds a number of patents in this device area.^{[8][9][10][11][12][13]}

On October 24, 1999, Audible suffered a setback when its CEO at the time, Andrew J. Huffman, died of an apparent heart attack.^[14] Development proceeded, however, leading to Audible licensing the ACELP codec for its level 3 quality downloads in 2000.^[15]

Audible scored a coup in 2003 when it made an exclusive deal with Apple to provide their catalog of books on the iTunes Music Store. Books purchased on iTunes would have a .m4b extension (a variation on MP4) and would contain AAC audio covered by Apple's FairPlayDigital Rights Management.

Audible's success began to increase interest in the profile of Audible's founder, Don Katz.^[16] Consequently, he had his profile highlighted by AudioFile magazine in early 2003,^[17] was called upon to give a recorded talk on IT Conversations in May 2005^[18] about the early history of Audible, and was tapped to deliver the keynote address at the Podcast Expo in November 2005.^[19]

Audible launched Audible Air in 2005, software that made it possible to download (copy-controlled) audio books over the air - wirelessly and directly to devices such as a smartphones or PDAs. This eliminated the need for the intermediate step of downloading copy-controlled audio books first to a computer in order to then transfer it to Palm OS, Windows Mobile, and Symbian Mobile devices. Audible Air content would update automatically, downloading chapters as required that would then delete themselves after they had been listened to.^[20] Interest in Audible and its founder would continue to attract attention as Don Katz was featured in the March 2006 issue of 'Business 2.0'.^[21]

In April 2008, Audible began producing exclusive science fiction and fantasy audiobooks under its 'Audible Frontiers' imprint. At launch 25 titles were released.^[22] In 2008, Amazon bought the company for $300 million.

Audible continued its publishing endeavors in May 2011, when it launched Audiobook Creation Exchange (ACX), an online rights marketplace and production platform that connects narrators, producers and rights holders in order to create new audiobooks.^[23][24][25] The platform has been so successful that in 2012, Audible reported it had received more titles from ACX than from its top three audio providers combined.^[24] In March 2012, Audible launched the A-List Collection, a series showcasing Hollywood stars including Claire Danes, Colin Firth, Anne Hathaway, Dustin Hoffman, Samuel L. Jackson, Diane Keaton, Nicole Kidman, and Kate Winslet performing great works of literature. Firth's performance of Graham Greene's The End of the Affair was named Audiobook of the Year at the Audie Awards in 2013. Audible's efforts to make audiobook narration a mainstream art form extends to the narration workshops it offers at acting schools including Juilliard and Tisch School of the Arts; in 2013, the Audible's CEO speculated that the company was the largest single employer of actors in the New York area.^[26] In 2014, at Audible's headquarters' six recording studios, producers and voice actors create new audiobooks 16 hours a day, seven days a week.

Technical innovation returned to center-state for the company in September 2012 when Audible launched Whispersync for Voice,^[27] an innovation that enables readers to switch seamlessly between reading a Kindle book and listening to the corresponding audiobook without losing their place.^[28] Along with Whispersync for Voice, Audible released Immersion Reading, a feature which highlights text on a Kindle book as the audiobook is narrated. It was also the focus in June 2015 when audiblebooks from Audible.com was made available on Amazon Echo, a voice command device from Amazon with functions including question answering, playing music and controlling smart devices.

In July 2016, Audible introduced Audible Channels, its exclusive version of podcasts.^[29]

In November 2017, Audible claimed its customers listened to over one billion hours of content during the year.

Website, pricing, and catalog[edit]

Audible's content includes more than 200,000 audio programs from leading audiobook publishers, broadcasters, entertainers, magazine and newspaper publishers and business information providers.^[30] Content includes books of all genres, as well as radio shows (classic and current), speeches, interviews, stand-up comedy, and audio versions of periodicals such as The New York Times and The Wall Street Journal.

In addition to the regular price charged for audiobooks, Audible offers subscriptions with the following benefits:

• Credits: For a monthly subscription fee, a customer receives one or two audio credits. Most titles can be purchased with one of these credits. Some titles (usually larger books or collections of more than one book) may cost two credits, while others (usually very short works) cost only a third of a credit. (Users may also purchase a year's subscription at a time, for a discount, receiving all credits at once, but only in some countries.) Platinum subscribers also receive a complimentary subscription to the digital audio version of The New York Times or The Wall Street Journal.
• Subscriber Discount: A subscriber may choose to purchase additional books without credits for a 30% discount.
• Access to the daily deal and monthly deals.

Additionally, some content—particularly political speeches, government hearings, content such as the 9/11 Report Speech, excerpts, and short stories from books—are available for free.

Once a customer has purchased a title on Audible, it remains in that customer's library and can be downloaded at any time, or the customer may listen to the file directly from the website, regardless of whether it has been downloaded before.

Device support[edit]

Audible audio files are compatible with hundreds of audio players, PDAs, mobile phones and streaming media devices.^[31] Devices that do not have AudibleAir capability (allowing users to download content from their library directly into their devices) require a Windows PC or Macintosh to download the files. Additionally, titles can be played on the PC (using iTunes, Windows Media Player, or AudibleManager). Titles cannot be burned to CD with AudibleManager. According to Audible's website, they can be burned to CD using Apple's iTunes and some versions of Nero. (The DRM generally allows a title to be burned to CD once, although the resulting CDs can be played in any CD player and have no copy prevention.)^[31] Currently there is no support for Linux, although AudibleManager is known to work through Wine (though this is not officially supported by Audible).^[32][33]

Prospective buyers of media players can check the audible.com 'Device Center' ^[34] to verify whether the device will play .aa files, as well as play them at the desired level of audio fidelity. Audible players are available on Apple iPhones, iPods, Android, and Windows Phone devices.

The Audible App allows for the downloading and playing of audio books purchased via Audible.com and allows the user to store multiple titles for play on mobile devices.

Quality[edit]

The following qualities have been available from Audible. Currently, only the 'Format 4' and 'Enhanced' formats are available for download.^[35]

• AAX files are encrypted M4B's. The audio is encoded in variable quality AAC format. While the vast majority of books are encoded at 64 kbit/s, 22.050 kHz, stereo, some are as low as 32k, mono. Radio plays are often encoded at 128kbit/s and 44.1 kHz.^{[citation needed]} Additionally, many audiobooks in Germany are encoded at the latter bitrate and are marketed as 'AAX+'; however, there is no difference in the actual file format.

Digital rights management[edit]

Audible's .aa file format encapsulates sound encoded in either MP3 or the ACELP speech codec, but includes unauthorized-playback prevention by means of an Audible username and password, which can be used on up to four computers and three smartphones at a time. Licenses are available for schools and libraries.

Audible's content can only be played on selected mobile devices. Its software does enable users to burn a limited number of CDs for unrestricted playback, resulting in CDs that can be copied or converted to unrestricted digital audio formats.

Because of the CD issue, Audible's use of digital rights management on its .aa format has earned it criticism.^[36] While multiple software products are capable of removing the Audible DRM protection by re-encoding in other formats,^[37] Audible has been quick to threaten the software makers with lawsuits for discussing or promoting this ability, as happened with River Past Corp and GoldWave Inc.^[38] Responses have varied, with River Past removing the capability from their software, and GoldWave retaining the capability, but censoring discussions about the ability in its support forums.^{[citation needed]} But there are still many other software tools from non-US countries which easily bypass the DRM control of Audible by various methods, including sound recording, virtual CD burning, and even using a media plugin library once provided by Audible themselves.^[39] After Apple's abandonment of most DRM measures, Amazon's downloads ceasing to use it, Audible's DRM system is one of the few remaining in place.

Many Audible listings displayed to non-U.S. customers contain the following text: 'We are not authorized to sell this title to your geographic location.' According to Audible, this is because the publisher who has provided the title does not have the rights to distribute the file in a given region. When a user is logged in, titles that he or she cannot purchase will be hidden.^[40]

There were hopes^[41] that Amazon, after its purchase of Audible, would remove the DRM from its audiobook selection, in keeping with the current trend in the industry. Nevertheless, Audible's products continue to have DRM, similar to the policy of DRM-protecting their Kindle e-books, which have DRM that allows for a finite, yet undisclosed number of downloads at the discretion of the publisher, however Audible titles that are DRM free can be copied to the Kindle and made functional.^[42]

Audible is able to offer DRM-free titles for content providers who wish to do so.^[43] FFmpeg 2.8.1+ is capable of playing Audible's .aa and .aax file formats natively.^[44][45]

Original content[edit]

In 2015, Audible hired Eric Nuzum,^[46] formerly VP of Programming at NPR, to create an original content team. In July 2016, Audible introduced Audible Channels,^[47] offering original audio series to its subscribers. Nuzum likened the approach to those followed by NetFlix and HBO in creating original video series.^[48]

Over two years, Audible produced a number of original series, before scaling back the initiative in August 2018.^[49]

Audible’s original series include:

Where Should We Begin?, a podcast that brings you inside relationship therapist Esther Perel's office as she sees anonymous couples in search of insight on everything from infidelity to sexlessness to grief. The couples include both heterosexual and same-sex couples.^[50] The first episode aired on Audible in May 2017, and became publicly available on iTunes on October 9, 2017. The series is hosted by Esther Perel. The Executive Producer is Jesse Baker. Where Should We Begin? received a 2018 Gracie Award.^[51]

Sincerely, X, a podcast featuring anonymous TED Talks, created as a co-production between TED and Audible.^[52] The anonymous speakers included a doctor who believed she killed a patient; a Silicon Valley executive who experienced a mental breakdown; a yoga instructor who unleashed pepper spray in a department store; and a woman in a violent marriage who invented a ritual that she believes saved her life. The series is hosted by June Cohen, created by Deron Triff, and executive produced by Deron Triff and Colin Campbell.^[52][53] The first episode aired on Audible on February 1, 2017, and became available publicly on iTunes on July 19, 2017. Sincerely X received a 2018 Gracie Award for the episode “Rescued by Ritual.”^[54]

Ponzi Supernova, an investigative podcast that offers an inside look at Bernie Madoff and his $65 billion ponzi scheme, based on previously unheard interviews with Madoff from prison, as well as other interviews. The series is hosted by journalist Steve Fishman, who spent more than 10 years on the reporting.^[55] The Executive Producer is Ellen Horne.

West Cork, a true-crime podcast, investigating an unsolved 1996 murder in West Cork, Ireland.^[56] The series is hosted by documentarian Jennifer Ford and investigative journalist Sam Bungey. The Executive Producer is Jesse Baker.

Audible How To Download

Market power[edit]

Audible operates the Audiobook Creation Exchange, which enables individual authors or publishers to work with professional actors and producers to create audiobooks, which are then distributed to Amazon and iTunes. The service is available to residents of the United States and the United Kingdom.^{[citation needed]} Audible produces 10,000 titles a year and may be the largest employer of actors in New York City.^[57]

See also[edit]

References[edit]

1. ^'audible.com Site Info'. Alexa. Retrieved 3 April 2018.
2. ^Paul, Franklin. 'Amazon to buy Audible for $300 million'.
3. ^'Audiobook giant Audible to expand operation into historic Newark church'.
4. ^Alexandra Alter (August 1, 2013). 'The New Explosion in Audio Books'. Wall Street Journal. Retrieved June 2, 2014.
5. ^https://www.nj.com/essex/2019/05/renovated-church-is-incredible-but-were-part-of-its-history-too-activists-say.html
6. ^'Audible Player Will Mark the First Time Consumers Can Access RealAudio Programming Away from the PC'. Archived from the original on January 18, 1998. Retrieved February 20, 2014., Press Release from Audible Inc., archived by archive.org 01/18/1998
7. ^Inside the secret lab where Amazon is designing the future of reading The Verge, 2014
8. ^US Patent 5,790,423, Lau, et al. & Katz, Donald R., 'Interactive audio transmission receiving and playback system', published 1998-08-04, issued 1998-08-04, assigned to Audible, Inc.
9. ^US Patent 5,872,712, Brenneman, et al.; Mott; Timothy & Segal; Leon D., 'Method and apparatus for audibly indicating when a predetermined location has been encountered in stored data', published 1999-02-16, issued 1999-02-16, assigned to Audible, Inc.
10. ^US Patent 5,926,624, Katz, et al.; Lau, Edwin J. & Mott, Timothy et al., 'Digital information library and delivery system with logic for generating files targeted to the playback device', published 1999-07-20, issued 1999-07-20, assigned to Audible, Inc.
11. ^US Patent 6,158,005, Bharathan, et al.; Rajasekharan, Ajit V. & Shah, Sugeet K. et al., 'Cloning protection scheme for a digital information playback device', published 2000-12-05, issued 2000-12-05, assigned to Audible, Inc.
12. ^US Patent 6,480,961, Rajasekharan, et al.; Story, Jr., Guy A. & Huffman, Andrew J., 'Secure streaming of digital audio/visual content', published 2002-11-12, issued 2002-11-12, assigned to Audible, Inc.
13. ^US Patent 8,175,977, Story, Jr., et al.; Kovesdi, Rozsa E. & Rajasekharan, Ajit V. et al., 'License management for digital content', published 2012-05-08, issued 2012-05-08, assigned to Audible, Inc.
14. ^'Audible President And Chief Executive Officer Andrew J. Huffman Dies'. Press Release. PRNewswire. 1999-10-25. Retrieved 30 August 2014.
15. ^'Audible Chooses VoiceAge's ACELP.net as Preferred Speech Codec'. Voice Age. Archived from the original on 2006-12-30. Retrieved 2006-12-17. Recognition of ACELP.net by the Leading Spoken Audio Service on the Web
16. ^Audible Inc. Investor Relations. 'Donald R. Katz, Management Biography'.
17. ^Don Katz Profile, AudioFile magazine, February/March 2003
18. ^Don Katz explains Audible.com's history, May 9, 2005 (Direct link to MP3: [1])
19. ^The Podcast and Portable Media Expo Saturday Sessions, November 12, 2005 (Direct link to MP3: [2]Archived 2005-11-24 at the Wayback Machine)
20. ^A Marriage of Bookshelf and Phone, New York Times, David Pogue, October 13, 2005
21. ^Audible Cranks It Up, Business 2.0, Paul Keegan, February 21, 2006
22. ^'Audible Announces New Imprint and Exclusive Agreements with Orson Scott Card and Other Top Science Fiction & Fantasy Writers'. BusinessWire.com. Berkshire Hathaway Inc. 2008-04-28. Retrieved 2015-11-03.
23. ^Paul Guliani, Amazon's Audible.com sees ten-fold increase in audiobook production, NY Daily News, January 31, 2013
24. ^ ^abMax Humphreys, Audible's Audiobook Creation Exchange Reports Big Growth In 2012, NextAdvisor, February 4, 2013
25. ^Staff writer, Keeping Up With the New Demand for Audiobooks, Publishing Trends, August 1, 2011
26. ^Actors today just don't read for the part, reading is the part New York Times, June 30, 2016
27. ^'Customer Help Whispersync For Voice'. Audible.com. February 2015.
28. ^Mohr, Carolyn Nicander (October 22, 2012). 'Whispersync for Voice: The Marriage of Kindle and Audible'. The Wonder of Tech.
29. ^Etherington, Darrell. 'Audible's new Channels audio content subscription service is a bet on a voice-powered future'. TechCrunch. Retrieved 2017-11-13.
30. ^'About Audible'. about.audible.com. Retrieved 2016-06-22.
31. ^ ^abHow Audible Works, How Audible works at audible.com, April 22, 2007
32. ^Audible.com and Linux.. Arghh, Todd Partridge (Gen2ly), Audible.com and Linux.. Arghh., September 21, 2011
33. ^[3], Wine, WineHQ - AudibleManager, Dec 17 2014
34. ^'Device Center'. Audible.com. Archived from the original on 2012-06-29. Retrieved 2012-06-28.
35. ^https://audible.custhelp.com/app/answers/detail/a_id/5128/kw/formats
36. ^Why I Won't Be Adding Audible.com to My Xmas Card List, O'Reilly Mac DevCenter Blog, January 3, 2003
37. ^'Remove DRM from Audible's audio books (Removing copy-protection from .AA files) - Audio/video stream recording forums'. stream-recorder.com.
38. ^'Company Threatens Audio Editing Software Creator April 20, 2004'. Chillingeffects.org. Retrieved 2012-06-28.
39. ^'Audible.com without DRM'. swankandswill.blogspot.com. July 2010. Retrieved 2013-08-26.
40. ^'Audible.com FAQ'. Audible.CustHelp.com. Retrieved 2012-06-28.
41. ^Doctorow, Cory (2008-02-21). 'Random House Audio abandons audiobook DRM'. Boing Boing. Retrieved 2012-06-28.
42. ^'Kindle mp3 Audible Hack - Nickinator Nick Jones'. Nickinator.info. 2012-01-28. Archived from the original on 2012-09-07. Retrieved 2012-06-28.
43. ^'Audible.com FAQ'. Audible.custhelp.com. 2012-04-23. Retrieved 2012-06-28.
44. ^'FFmpeg Audible AAX'. FFmpeg. 2015-12-25. Retrieved 2015-12-25.
45. ^'FFmpeg Audible AA'. FFmpeg. 2015-12-25. Retrieved 2015-12-25.
46. ^Sefton, Drue (May 15, 2015). 'NPR Programmer Nuzum Moving to Audible to Oversee Original Content'. Current: News for People in Public Media. Retrieved Dec 29, 2018.
47. ^Chokshi, Niraj (July 7, 2016). 'Amazon's Audible Goes Long on Short Term Audio'. The New York Times. Retrieved Dec 29, 2018.
48. ^Johnson, Steve (July 16, 2018). 'Audible Tries HBO for Audio with New Channels Service'. Chicago Tribune. Retrieved Dec 29, 2018.
49. ^Quah, Nicholas (Aug 7, 2018). 'A big shakeup at Audible has left the audiobook giant's podcast strategy unclear'. Nieman Lab Blog. Retrieved Dec 29, 2018.
50. ^Schwartz, Alexandra. 'Esther Perel Lets us Listen in On Couple's Secrets'. The New Yorker. Retrieved Dec 29, 2018.
51. ^'2018 Gracie Award Winners'. Retrieved Dec 29, 2018.
52. ^ ^abLeiber, Jessica (August 24, 2016). 'TED Talks But Anonymously: Sincerely X is a new podcast meant for secret big ideas'. Fast Company. Retrieved Dec 29, 2018.
53. ^'TED and Audible Debut Sincerely X Audio Series Sharing Important ideas Anonymously'. TED Blog. Feb 1, 2017. Retrieved Dec 29, 2018.
54. ^'2018 Gracie Award Winners'. Retrieved Dec 29, 2018.
55. ^Sturges, Fiona (March 11, 2018). 'Podcast: Ponzi Supernova — the electrifying story of Bernie Madoff'. Financial Times. Retrieved Dec 29, 2018.
56. ^Quah, Nicholas (March 7, 2018). 'West Cork Audible Podcast Review'. Vulture. Retrieved Dec 29, 2018.
57. ^Kaufman, Leslie (29 June 2013). 'Actors Today Don't Just Read for the Part. Reading IS the Part'. The New York Times. Retrieved 24 December 2017.

Can I Download Audible Books To Multiple Devices For Kids

External links[edit]

• Official website
• Behind-the-Scenes Tour of Audible, by Katherine Kellgren